Bury five-piece Elbow has scooped the trophy – awarded for the best-sounding dynamic mix of 2010/11 – for its critically-acclaimed fifth studio album, Build A Rocket Boys!.
The announcement of the award provided a climax to a full 24 hours of online activity designed to raise awareness of excessive loudness and the effect that it is having on the sound of recorded music.
via Elbow wins 2011 Dynamic Range Day mixing award - main-content | PSNE Magazine Online & In Print.
On IHR #87 – an interview with Ian Shepherd about mastering and Dynamic Range Day, hosted by Dave Chick
via IHR #87 – Dynamic Range Day (Enhanced) | Inside Home Recording.com.
“Every playback device in the world has an output gain control on it. Record and master the music at musical levels and allow the listener to play it as they wish. Do not fall slave to making all music sound equally loud on iPod Shuffles or the iTunes program itself !”
Think music these days doesn't sound as good as it used to? Here's why.
Up to 11: The problem with modern music - Story - Entertainment - 3 News.
This is a short little improvised theme I wrote for (or was inspired by) Ian Shepherd and his Dynamic Range Day 2011 project and challenge (@DynamicRangeDay and #DRD11 on Twitter)
via Theme for Ian by siggidori on SoundCloud - Create, record and share your sounds for free.
Friday (25 March) will see a full programme of online activity designed to make people more aware of over-compression during mixing and mastering, and the effect it is having on the sound of recorded music.
via Dynamic Range Day this week - main-content | PSNE Magazine Online & In Print.
We're also mentioned in the March issue - under "Soundbites", on the left.
The folks behind Dynamic Range Day have declared war on the loudness war and nominated March 25th as a day to bear in mind the dynamics of your music...there's a bunch of info over at their site, including a nifty competition... Go. Now!
On March 25th, the world will celebrate Dynamic Range Day. Admittedly, my parents won't; I'm not sure my children will learn about it in class and, all jokes aside, there's a decent chance that some artists and mastering engineers will also ignore it. This week, I'd like to explore why it would be great if we all paid the subject of dynamics and their sad decline from so much recorded music due heed.
When you say “I’m doing this thing called Dynamic Range Day, would you like to be listed as a supporter ?” – suddenly all you get is wide eyes, muttered excuses and un-returned emails.
People don’t want to stick their necks out on this issue
Why is that ?
This week we talk to Ian Shepherd and Allen “Big Al” Wagner about Dynamic Range day 2011